The Sultan's Garden: The Blossoming of Ottoman Art
The Sultanâs Garden is a visual feast and scholarly exploration of the floral style that came to define Ottoman court art from the mid-16th century onwards. Drawing on lush motifsâstylised tulips, carnations, hyacinths, roses and rosebudsâthe book traces how these botanical forms became the empireâs signature ornament, adorning everything from textiles and tiles to manuscript illumination.
Lavishly illustrated with full-colour examples, the volume reveals how this floral vocabulary was not only decorative, but a deliberate expression of identity and powerâexported from Istanbulâs royal workshops into village art, nomadic weaving, and beyond. The narrative also notes a key moment of transformation: the rise of Kara Memi, a court artist whose work helped codify the âbrandâ of Ottoman floral art, and whose influence of stylised bulbs continues to echo in art and design today.
About the Author
Walter B. Denny is a respected scholar of Islamic art and architecture, whose research spans ornament, symbolic form, and design across the Middle East. His detailed understanding of pattern, colour and historical context lends precision to the analyses presented here. Sumru Belger Krody is a curator and expert in textiles and decorative arts, affiliated with the Textile Museum in Washington, D.C.; her curatorial insight enriches the bookâs engagement with material culture and artistic techniques.
Publication date: 2012
Publisher: The Textile Museum
Pages: 272
ISBN: 9780874050370
Original: $120.51
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$42.18
Description
The Sultanâs Garden is a visual feast and scholarly exploration of the floral style that came to define Ottoman court art from the mid-16th century onwards. Drawing on lush motifsâstylised tulips, carnations, hyacinths, roses and rosebudsâthe book traces how these botanical forms became the empireâs signature ornament, adorning everything from textiles and tiles to manuscript illumination.
Lavishly illustrated with full-colour examples, the volume reveals how this floral vocabulary was not only decorative, but a deliberate expression of identity and powerâexported from Istanbulâs royal workshops into village art, nomadic weaving, and beyond. The narrative also notes a key moment of transformation: the rise of Kara Memi, a court artist whose work helped codify the âbrandâ of Ottoman floral art, and whose influence of stylised bulbs continues to echo in art and design today.
About the Author
Walter B. Denny is a respected scholar of Islamic art and architecture, whose research spans ornament, symbolic form, and design across the Middle East. His detailed understanding of pattern, colour and historical context lends precision to the analyses presented here. Sumru Belger Krody is a curator and expert in textiles and decorative arts, affiliated with the Textile Museum in Washington, D.C.; her curatorial insight enriches the bookâs engagement with material culture and artistic techniques.
Publication date: 2012
Publisher: The Textile Museum
Pages: 272
ISBN: 9780874050370












